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- 无屏互联网世界:自然、简单与信息的未来体验
I wonder how long you would be happy in your happy place without any information from the outside world. I'm interested in how we access that information, how we experience it. We're moving from a time of static information held in books and libraries and bus stops through a period of digital information towards a period of fluid information where your children will expect to be able to access anything anywhere at any time from quantum physics to medieval ridiculture, from gender theory to tomorrow's weather, just like switching on a light bulb. Imagine that. Humans also like simple tools. Your phone, it's not a very simple tool. A fork is a simple tool. And we don't like the made of plastic. In the same way, I don't really like my phone very much. It's not how I want to experience information.
I think there are better solutions than a world mediated by screens. I don't hate screens, but I don't feel and I don't think any of us feel that good about how much time we spend slouched over them. Fortunately, the big tech companies seem to agree they're actually heavily invested in touch and speech and gesture and also in sensors, things that can turn dumb objects like cups and imbue them with the magic of the internet. Potentially turning this digital cloud into something we might touch and move. The parents and crisis over screen time need physical digital toys teaching their kids to read as well as family safe app stores. And I think actually that's already really happening.
Reality is richer than screens. For example, I love books. For me, they are time machines. Atoms and molecules bound in space from the moment of their creation to the moment of my experience. But frankly, the content is identical on my phone. So what makes this a richer experience than a screen? I mean, scientifically. We need screens. Of course, I'm going to show a film. I need the enormous screen. But there's more that you can do with these magic boxes. Your phone is not the internet's door bit. We can build things, physical things, using physics and pixels that can integrate the internet into the world around us. I'm going to show you a few examples of those. A while ago, I got to work with the design agency Berg on an exploration of what the internet without screens might actually look like. And they showed us a range of ways that light can work with simple sensors and physical objects to really bring the internet to life, to make it tangible, like this wonderfully mechanical YouTube player. And this was an inspiration to me.
Next, I work with the Japanese Agency AQ on a research project into mental health. We wanted to create an object that could capture the subjective data around mood swings that are so essential to diagnosis. This object captures your touch, so you might press it very hard if you're angry or stroke it if you're calm. It's like a digital emoji stick. And then you might revisit those moments later and add context to them online. Most of all, we wanted to create an intimate, beautiful thing that could live in your pocket and be loved.
The binoculars are actually a birthday present for the Sydney Opera House's 40th anniversary. Our friends at Tel Art in Boston and bought over a pair of street binoculars, the kind you might find on the Empire State building, and they fitted them with 360 degree views of other iconic world heritage sites using street view. And then we stuck them under the steps. So they became this very physical, simple, reappropriation, like a portal to these other icons. So you might see Versailles Shaqqens hat. Basically it's virtual reality circa 1955. In our office we use hacky sacks to exchange URLs. This is incredibly simple. It's like your opal card. We basically put a website on the little chip in here and then you do this and Bosch. The website appears on your phone. It's about ten cents.
Treehugger is a project that we're working on with Grumpy Sailor and Finch here in Sydney. And I'm very excited about what might happen when you pull the phones apart and you put the bits into trees and that my children might have an opportunity to visit an enchanted forest guided by a magic wand where they could talk to digital fairies and ask them questions and be asked questions in return. As you can see we're at the cardboard stage with this one. But I'm very excited by the possibility of getting kids back outside without screens but with all the powerful magic of the internet of their fingertips. And we hope to have something like this working by the end of the year.
So let's recap. Humans like natural solutions. Humans love information. Humans need simple tools. These principles should underpin how we design for the future, not just for the internet. You may feel uncomfortable about the age of information that we're moving into. You may feel challenged rather than simply excited. Guess what? Me too. It's a really extraordinary period of human history. We are the people that actually build our world. There's no artificial intelligences yet. It's us, designers, architects, artists, engineers. And if we challenge ourselves I think that actually we can have a happy place filled with the information we love that feels as natural and as simple as switching on a light bulb. And although it may seem inevitable that what the public want is watches and websites and widgets, maybe we could give a bit of thought to Cork and Light and Hockey Sacks. Thank you very much.
- extraordinary
形容词非凡的; 特别的; 非常奇特的
1. 非凡的;优秀的;出色的
If you describe something or someone as extraordinary, you mean that they have some extremely good or special quality.e.g. We've made extraordinary progress as a society in that regard...
在那个方面,我们的社会已经取得了巨大的进步。
e.g. The task requires extraordinary patience and endurance...
那项任务需要非凡的耐心和毅力。extraordinarily
She's extraordinarily disciplined.
她非常守纪律。- fluid
名词液体,流体
形容词流体的,流动的,流体的,液体的; 易变的,不固定的; (动作、设计、音乐等)流畅优美的
1. 液体;流质
A fluid is a liquid.e.g. The blood vessels may leak fluid, which distorts vision...
血管可能会渗漏,造成视力模糊。
e.g. Make sure that you drink plenty of fluids.
务必保证足够的水分摄入。2. (动作、线条或设计)流畅优美的,优雅自然的
Fluid movements or lines or designs are smooth and graceful.e.g. The forehand stroke should be fluid and well balanced.
正手击球应该保证动作流畅和平稳。
e.g. ...long, fluid dresses.
线条优雅流畅的长裙fluidity
She dances with an exquisite fluidity of movement.
她的舞姿细腻流畅。- intimate
形容词亲密的,亲近的; 私人的,个人的; 内部的; 直接的
名词至交; 密友
动词暗示,提示; 宣布,通知
The adjective and noun are pronounced /'?nt?m?t/. The verb is pronounced /'?nt?me?t/. 形容词读作 /'?nt?m?t/,动词读作 /'?nt?me?t/。- tangible
形容词可触知的; 确实的,真实的; 实际的; [法]有形的
名词有形资产; 可触知的或具体的某事物
1. 清晰可见的;摸得着的;感觉得到的;明显的
If something is tangible, it is clear enough or definite enough to be easily seen, felt, or noticed.e.g. There should be some tangible evidence that the economy is starting to recover...
应该有明显迹象表明经济开始复苏了。
e.g. The relief was almost tangible.
这种解脱几乎可以感觉得到。tangibly
This tangibly demonstrated that the world situation could be improved.
这清楚地表明世界局势是可以改善的。- addicted
形容词上瘾的; 沉迷于某种嗜好的
及物动词使…上瘾(addict的过去分词)
1. (吸毒)成瘾的,上瘾的
Someone who is addicted to a harmful drug cannot stop taking it.e.g. Many of the women are addicted to heroin and cocaine...
这些女人中很多人都吸食海洛因和可卡因成瘾了。
e.g. After about three months, I was no longer addicted to nicotine.
大约3个月后,我就不再对尼古丁上瘾了。2. 入迷的;着迷的
If you say that someone is addicted to something, you mean that they like it very much and want to spend as much time doing it as possible.e.g. I went through about four years of being addicted to video games...
我大约有4年时间沉迷在电子游戏中。
e.g. She had become addicted to golf.
她已经迷上高尔夫球了。- enchantment
名词魅力; 迷人之处; 施魔法; 着魔
1. 魅力;陶醉;狂喜
If you say that something has enchantment, you mean that it makes you feel great delight or pleasure. Your enchantment with something is the fact of your feeling great delight and pleasure because of it.e.g. The wilderness campsite had its own peculiar enchantment...
野营地有其自身独特的魅力。
e.g. Percy's enchantment with orchids dates back to 1951.
珀西对兰花的痴迷可以回溯到1951年。2. 魔法;魔咒
In fairy stories and legends, an enchantment is a magic spell.- mediated
调停,调解,斡旋( mediate的过去式和过去分词 );居间促成;影响…的发生;使…可能发生;
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- fluid